NCERT Solutions Class 11 English (Hornbill) Chapter 4 Landscape of the Soul – Here are all the NCERT solutions for Class 11 English (Hornbill) Chapter 4. This solution contains questions, answers, images, explanations of the complete chapter 4 titled Landscape of the Soul of English (Hornbill) taught in Class 11. If you are a student of Class 11 who is using NCERT Textbook to study English (Hornbill), then you must come across chapter 4 Landscape of the Soul. After you have studied lesson, you must be looking for answers of its questions. Here you can get complete NCERT Solutions for Class 11 English (Hornbill) Chapter 4 Landscape of the Soul in one place.
NCERT Solutions Class 11 English Chapter 4 Landscape of the Soul
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Landscape of the Soul
NCERT Solutions Class 11 English chapter 4 Landscape of the Soul
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Landscape of the Soul
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Question & Answer
Q.1: Notice these expressions in the text. Infer their meaning from the context. Anecdote Illusionistic Likeness Delicate Realism Conceptual Space Figurative Painting
Ans : Anecdote : From the text, the meaning of anecdote can be inferred as a short account of a particular incident or event, especially of an interesting or exciting nature. Delicate realism : It refers to the alluring quality of the art which makes it seem real. It is an interest in or concern for the actual or real as opposed to abstract. illusionistic. Likeness : It refers to an adjective of the technique of using pictorial methods in order to deceive the eye. The reference is to an illusion created by the semblance of something. Figurative painting : A figurative painting refers to the metaphoric representation of a piece of art, through the eyes of the creator's imagination. Conceptual space : It refers to relation with the abstract than the factual representation. This is the incalculable dimension of the understanding of concepts.
Q.2: (i) Contrast the Chinese view of art with the European view with examples. (ii) Explain the concept of shanshui.
Ans : (i) The Chinese paintings are based on imaginative, inner or spritiual approach whereas the european paintings reproduce an actual view, of an external or real object. The paintings of Wu daozi and mater painters of Europe illustrate the difference. (ii) Shanshui, meaning “mountain-water", refers to a style of Chinese painting that involves natural landscapes, the landscape which is an inner one, a spiritual and conceptual space. It represents the two complementary poles (‘yin and young') reflecting the Daoist view of the universe.
Q.3: (i) What do you understand by the terms ‘outsider art’ and ‘art brut’ or ‘raw art’? (ii) Who was the “untutored genius who created a paradise” and what is the nature of his contribution to art?
Ans : (i) 'Outsiders art' refers to those art who have no right to be artists as they have received no formal training yet show talent and artistic insight. Art brut' or 'raw art' are the works of art in their raw state as regards cultural and artistic influences. (ii) The “untutored genius" who created “paradise” was Nek Chand an year old creator- director who made the world famous rock garden at Chandigarh. His was an 'outsider art' in which he sculpted with stone and recycled materials. He used anything and everything from a tin to a sink to a broken down car to form an artistic piece One of his famous creations are Women by the Waterfall'
Q.4: Discuss the following statements in groups of four. 1. “The Emperor may rule over the territory he has conquered, but only the artist knows the way within.” 2. “The landscape is an inner one, a spiritual and conceptual space.”
Ans : 1. This sentence explains the fact that even though an Emperor might rule an entire kingdom and have power over his conquered territory, only an artist would be able to go beyond any material appearance. He knows both the path and the method of the mysterious work of the universe. True meaning of his work can be seen only by means known to him. irrespective of how powerful an emperor is. 2. This phrase explains The Chinese art from where a Chinese painter wants you to enter his mind rather than borrow his eyes, This is a physical as well as a mental participation, It is a landscape created by the artist to travel up and down. and back again. through the viewer's eyes. The landscape is not ‘real' and can be reached from any point.
Q.5: Find out the correlates of Yin and Yang in other cultures.
Ans : The Indian culture lays stress on Nature and God. Nature is the •yen' or female part whereas God the creator, is the male part. This concept also known as •Maya' or Brahma' The combination of two creates the whole world, all it objects and also inhabitants.
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