NCERT Solutions for Class 12 English (Kaleidoscope Non-Fiction) Chapter 3 Film-making – Here are all the NCERT solutions for Class 12 English (Kaleidoscope) Chapter 3. This solution contains questions, answers, images, explanations of the complete chapter 3 titled Film-making taught in Class 12. If you are a student of Class 12 who is using NCERT Textbook to study English (Kaleidoscope), then you must come across chapter 3 Film-making. After you have studied lesson, you must be looking for answers of its questions. Here you can get complete NCERT Solutions for Class 12 English (Kaleidoscope) Chapter 3 Film-making.
NCERT Solutions Class 12 English Chapter 3 Film-making
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For a better understanding of this chapter, you should also see summary of Chapter 3 Film-making , English, Class 12.
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NCERT Solutions Class 12 English chapter 3 Film-making
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Question & Answer
Q.1: Pick out the examples from the text that show Bergman’s sensitivity to sensor impressions which have made him a great film-maker.
Ans : There are several instances in the story which depict Bergman’s prowess as a film-maker. The picture of the wall hanging, for example, is one such example. He depicts the picture to his readers in a lively manner bringing the entire scenery alive through his narrations. He could imagine the sound of the church bells ringing and visualize the pigeons flying, creating a melodramatic atmosphere around his narration. Another example of his sensitivity to sensor impressions is the time when he left all his work to watch the cranes at Dalarna fly. These incidents highlight Bergman’s sensitivity to sensor impressions that made him a great filmmaker.
Q.2: What do you understand of the complexity of the little invisible steps that go into the making of a good film?
Ans : Film-making is a complex process, one that includes several steps before the final product can be achieved. The very first step is to determine the theme. When there is a concrete idea around it, the story can be formed accordingly. The second step is the storyline. The elements of montage, rhythm and the relation between two pictures are inherent parts of the storyline. The liveliness of the story depends upon the proper execution of these three elements. And finally, the third important step is shooting of the film, where proper coordination between all the departments can make the film a huge success. So the steps of filmmaking are- determining the theme, forming a coherent storyline and coordination between all the departments while shooting.
Q.3: What are some of the risks that film-making involves?
Ans : A film is essentially a story told in motion. It involves a series of pictures through which the story is told to the masses. Hence, it is of utmost importance that the masses understand the theme of the movie. If it is completely alien, then the message that the film-maker would have wanted to convey would fall flat and it would be a huge failure. The film needs to connect with the masses or the target audience in order to be a success and that is more often than not, a huge risk in the process of film-making. Thus a filmmaker should be shrewd while judging the needs of the masses and should aim at catering to those needs most importantly if he wants the film to be a success.
Q.4: What misgivings does Bergman have about the contemporary film industry?
Ans : Bergman is of the opinion that the contemporary film industry believes in the creation of only original work. They believing in secluding oneself and creating works in solitude which will not have any relation whatsoever with any work from this industry. However, they fail to understand that filmmaking is a continuous process, one that involves continuous inspiration and learning from each other. They believe that borrowing ideas from other works equal to that of a plagiarised content, which, according to Bergman, is completely illogical. Bergman believes that learning from one another is the ultimate source of knowledge in this industry.
Q.5: Compare Bergman’s views about making films out of books with that of Umber- to Eco’s.
Ans : Bergman believes that a novel cannot be put into a film completely. It becomes a complete injustice since the novel helps in triggering the intellectual faculty of a person whereas the film helps in triggering the emotions, directly. Bergan believes that the individual effect of each of these two art forms on the audience is starkly different from each other. However, according to Umberto Eco, the film takes over the popularity of a novel.E- co believes that the novel reaches the epitome of popularity when it is converted into a movie. So the film indirectly helps the novel.
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